Auditions & Production Roles
get
Involved
No matter what your inclination is, there's always opportunities to join in. Whether it's to be onstage, backstage, crew, director, producer, set builder, props, sound, lighting, makeup, wardrobe... the list is endless and everyone is needed just as much as the other, very much like cogs in a machine or jigsaw pieces!
If you're unsure whether you can do these then don't worry as all roles will be given training and support.
Check out what auditions are coming up, what production teams, crew etc are needed, get in touch and put the dates in your diary.
Key Dates – See below for more detail.
2026
14th September. Get together for both Constellations & Lucky Stiff
14th-17th Oct 2026. Murdered to Death
2027
8th-10th & 13th-17th January. Robin Hood & his Merry Men
more details about upcoming
Opportunities
Constellations
Sunday 27th September 2026 from 14:00
Any questions, use the email button below.
Constellations is a funny, touching and deeply emotional play about love, choice, chance and connection.
It follows Marianne and Roland, two people who meet, fall in love and navigate a relationship – except we see their story played out in many different ways.
Moments repeat. Choices change. Sometimes they connect, sometimes they don’t. Sometimes a conversation is funny and effortless; in another version, the same moment can be awkward, painful or heartbreaking.
Although the play draws on ideas around parallel universes, at its heart it is a very human story about two people and the different paths a relationship can take.
Lucky Stiff
Wednesday 30th September 2026 from 19:00
Any questions, use the email button below.
Chuckle, titter & guffaw warning!
Lucky Stiff is a preposterous, zany musical farce coming to the Nomad Studio Theatre in April 2027.
Shy English shoe salesman Harry Witherspoon unexpectedly inherits $6 million from an American uncle he’s never met – but there’s a catch. To claim the fortune, Harry must take his dead uncle on a trip to Monte Carlo, keeping the corpse under wraps while following a bizarre set of instructions.
With a dog-loving heiress, a feisty Italian-American widow, her long-suffering brother and a mysterious eye-patch-wearing Italian all thrown into the mix, Harry’s trip quickly descends into chaos, comedy, mystery and romance.
Ghost Train
Thu 4th June 2026
The role of sound for this production combines the two roles of Sound Designer and Sound Operator.
They will initially be responsible for creating all sound and audio for a production. Depending on the requirements of the show, this can include sound effects, music, building atmosphere and how the performers are heard. The Sound Designer will work with the creative team, source all sound effects, make a cue list, liaising with the Stage Manager and attending required rehearsals, especially technical rehearsals.
Then they will be in charge of all the sound cues during the show, including playback of music, special effects, and pre-recorded sound cues.
15th-18th May 2024
Showtime
Choreographers design and craft dance sequences for performances, collaborating with directors and dancers.
A choreographer conceives, creates, and directs dance and movement in a wide range of performance genres.
15th-18th May 2024
Showtime
Stage crew are a vital part of the show. Shows don’t happen without crew. They are needed along with the cast at the get in (moving all the scenery, props and equipment into the theatre), to move the scenery during scene changes and to help with the get out after the show has finished it’s last performance.
Being stage crew is a lot of fun, especially during the show. You get to be involved without having to rehearse for weeks. Work hard in the scene changes and play hard when you’re in the wings waiting.
There can be cues mid scene that involve interacting with the action onstage from out of sight.
Working as a team the scene changes become choreographed and slick. There are items of various sizes to be managed in most shows. The stereotype of crew being big strong men is far from what you’ll find behind the scenes of most west end shows.
This is perfect for those wanting to be immersed in the show experience without having to be onstage.
15th-18th May 2024
Showtime
Hair and makeup in theatre play a crucial role in transforming performers into characters and enhancing the overall visual impact of a production.
The team responsible for this aspect, collaborate closely with the creative team to bring the Director’s vision to life. They design and apply makeup to achieve specific character looks, considering factors like lighting and audience distance.
Additionally, stylists create hairstyles that complement the characters and the production’s time period or theme.
The goal is to contribute to the storytelling by visually reinforcing character traits, setting the mood, and ensuring the performers’ appearance aligns with the production’s artistic vision.
6th-9th March 2024
Two
Stage managers provide indispensable practical and organisational support to directors, performers, designers, and technical crew throughout the production and rehearsal process, and supervise onstage and backstage activity during performances to make sure the show goes off without a hitch.
15th-18th May 2024
Showtime
Stage managers provide indispensable practical and organisational support to directors, performers, designers, and technical crew throughout the production and rehearsal process, and supervise onstage and backstage activity during performances to make sure the show goes off without a hitch.
15th-18th May 2024
Showtime
Working closely with other members of a show’s creative team, MD’s oversee all musical aspects of a production, including the audition process, teaching & rehearsing songs and harmonies, finding backing tracks if needed, sourcing a band/orchestra if necessary and conducting it.