Auditions & More
get
Involved
No matter what your inclination is, there's always opportunities to join in. Whether it's to be onstage, backstage, crew, director, producer, set builder, props, sound, lighting, makeup, wardrobe... the list is endless and everyone is needed just as much as the other, very much like cogs in a machine or jigsaw pieces!
If you're unsure whether you can do these then don't worry as all roles will be given training and support.
Check out what auditions are coming up, what production teams, crew etc are needed, get in touch and put the dates in your diary.
Key Dates – See below for more detail.
2024
07/01/24. Panto get in (All hands on deck)
12/01 – 14/01 & 17/01 – 21/01/24. Panto
06/03 – 09/01/24. Two
18/07 – 20/07/24. Musicals showcase
more details about our
Auditions & Opportunities
12th-14th & 17th-21st January 2024
Dick Whittington & The Pirates
Stage crew are a vital part of the show. Shows don’t happen without crew. They are needed along with the cast at the get in (moving all the scenery, props and equipment into the theatre), to move the scenery during scene changes and to help with the get out after the show has finished it’s last performance.
Being stage crew is a lot of fun, especially during the show. You get to be involved without having to rehearse for weeks. Work hard in the scene changes and play hard when you’re in the wings waiting.
There can be cues mid scene that involve interacting with the action onstage from out of sight.
Working as a team the scene changes become choreographed and slick. There are items of various sizes to be managed in most shows. The stereotype of crew being big strong men is far from what you’ll find behind the scenes of most west end shows.
This is perfect for those wanting to be immersed in the show experience without having to be onstage.
12th-14th & 17th-21st January 2024
Dick Whittington & The Pirates
The role of the props coordinator is to source props that the creative team would like by way of finding them, making them or by purchasing them with the budget set to them by the producer.
6th-9th March 2024
Two
The Sound Operator is in charge of all the sound cues during the show, including playback of music, special effects, and pre-recorded sound cues.
They may be expected to source these in the weeks leading up to the show week.
They also work closely with the Director and Stage Manager.
6th-9th March 2024
Two
The lighting operator is responsible for all the lighting cues during a show.
They set all the lights, programme the light board and operate the board during technical rehearsals and performances, sometimes adjusting the lights manually during the performance.
Depending on the size of the production, they may have to work with a lighting designer.
They work closely with the Director and Stage Manager.
6th-9th March 2024
Two
Stage crew are a vital part of the show. Shows don’t happen without crew. They are needed along with the cast at the get in (moving all the scenery, props and equipment into the theatre), to move the scenery during scene changes and to help with the get out after the show has finished it’s last performance.
Being stage crew is a lot of fun, especially during the show. You get to be involved without having to rehearse for weeks. Work hard in the scene changes and play hard when you’re in the wings waiting.
There can be cues mid scene that involve interacting with the action onstage from out of sight.
Working as a team the scene changes become choreographed and slick. There are items of various sizes to be managed in most shows. The stereotype of crew being big strong men is far from what you’ll find behind the scenes of most west end shows.
This is perfect for those wanting to be immersed in the show experience without having to be onstage.
18th-20th July 2024
Musicals Showcase
At the heart of almost any theatrical performance is the Director, who takes charge of the production process and shapes almost every aspect of the show, managing the overall staging and artistic vision of a production.
They provide a guiding creative vision for all members of the production.
Directors, with the aid of the creative team, audition and cast actors, oversee the production team, provide design directives, lead rehearsals and manage the production schedule of the project ensuring that all the moving parts connect.
For the Musicals Showcase, there will be numerous Directors taking charge of different sections.
18th-20th July 2024
Musicals Showcase
The sound operator is in charge of all the sound cues during the show, including playback of music, special effects, and pre-recorded sound cues.
They may be expected to source these in the weeks leading up to the show week.
They also work closely with the Director and Stage Manager
18th-20th July 2024
Musicals Showcase
The lighting operator is responsible for all the lighting cues during a show.
They set all the lights, programme the light board and operate the board during technical rehearsals and performances, sometimes adjusting the lights manually during the performance.
Depending on the size of the production, they may have to work with a lighting designer.
They work closely with the Director and Stage Manager.
18th-20th July 2024
Musicals Showcase
Stage crew are a vital part of the show. Shows don’t happen without crew. They are needed along with the cast at the get in (moving all the scenery, props and equipment into the theatre), to move the scenery during scene changes and to help with the get out after the show has finished it’s last performance.
Being stage crew is a lot of fun, especially during the show. You get to be involved without having to rehearse for weeks. Work hard in the scene changes and play hard when you’re in the wings waiting.
There can be cues mid scene that involve interacting with the action onstage from out of sight.
Working as a team the scene changes become choreographed and slick. There are items of various sizes to be managed in most shows. The stereotype of crew being big strong men is far from what you’ll find behind the scenes of most west end shows.
This is perfect for those wanting to be immersed in the show experience without having to be onstage.
